https://abigailhendrix.com/concert daily 0.75 2021-10-04 https://images.squarespace-cdn.com/content/v1/5f9c5f46d062f65af19a3d1b/1633370821065-AVWR67LWTVRP5WEAQ0K9/Concert+Editing+Work+Flow.jpg Concert Editing https://images.squarespace-cdn.com/content/v1/5f9c5f46d062f65af19a3d1b/1633370855749-135C6XWKB31B6U2Q3PLM/Concert+Editing+Flow+Chart.jpg Concert Editing https://abigailhendrix.com/about daily 0.75 2026-03-09 https://images.squarespace-cdn.com/content/v1/5f9c5f46d062f65af19a3d1b/92327f66-50b3-407e-820c-84e748ad7639/m3967AA030A.jpg About photo by claire maske https://abigailhendrix.com/installation daily 0.75 2025-09-27 https://abigailhendrix.com/film daily 0.75 2025-09-27 https://abigailhendrix.com/collaborations daily 0.75 2025-07-24 https://images.squarespace-cdn.com/content/v1/5f9c5f46d062f65af19a3d1b/f676d7b6-1d21-4520-970f-35642ef3ced6/2025-01-10.jpg Collaborations - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://abigailhendrix.com/writing daily 0.75 2025-03-07 https://images.squarespace-cdn.com/content/v1/5f9c5f46d062f65af19a3d1b/1ca386dd-b9c3-499b-b347-3442dcb5cad8/MEMORIES.jpg Writing From January 19 to February 1, 2022, “The Persistence of Resistance in the Actualization of Memories From the Past” ran as the fourth of five programs in e-Flux’s online film festival Memories of Forgetfulness Elsewhere. Utilizing experimental film techniques, each film in the program explores experiences of war, religion, and colonialism in the Middle East. https://images.squarespace-cdn.com/content/v1/5f9c5f46d062f65af19a3d1b/53f6f202-c89b-4f76-b1ce-24ce95a2e1b1/LANDSCAPE.png Writing Through their depictions of spaces and landscapes, these three filmmakers do not attempt to portray objective reality; rather, they use place as way to draw their audience through an external landscape and into a more meaningful and resonate internal place. https://images.squarespace-cdn.com/content/v1/5f9c5f46d062f65af19a3d1b/699e1495-7be8-4a88-9b6b-615b0a50326f/REALITY.png Writing As convincingly as film can mimic the real world, it can just as easily deconstruct reality in a way that reminds the audience of their positionality, both as spectators and as social beings. https://images.squarespace-cdn.com/content/v1/5f9c5f46d062f65af19a3d1b/33a48078-db33-498f-be59-d29fc6c188e1/NECROPOLITICS.png Writing Humanitarian aid agencies have the power to choose when and what kind of aid is delivered to refugees living in precarious conditions, which is a form of necropolitical sovereignty over the lives of the very people they are sent to help. https://images.squarespace-cdn.com/content/v1/5f9c5f46d062f65af19a3d1b/fed64525-73ee-48cf-a517-c5d406c1bd2e/SFF2018_06-28_KR_0564.jpg Writing - Dancing with Yacine & The Oriental Groove In the shade of the Catalonia side of the Folklife Festival grounds, I found Yacine Belahcene i Benet, Alexandre Guitart, and Gabriel Fletcher lounging shoeless, comfortably digging into their lunches as the sounds of visitors, performers, and demonstrations filled the space around them. https://images.squarespace-cdn.com/content/v1/5f9c5f46d062f65af19a3d1b/fc2e23ea-980d-45c6-a5cb-df6eb0114ce7/SFF_7118SFF_7118.jpg Writing - Power of Three: Armenian History and Harmonies from Zulal Creative people often talk about a “rule of three.” Stories have a beginning, middle, and end. Painters divide a canvas into thirds. A chord has at least three notes. 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